Are bad lenses really that bad? Or is it in the eye of the beholder?
Are differences between 35m camera film, more to do with how well they scan, than other factors?
I often get comments about my artwork. Generally these are questions which any photographer would be flattered by: “great composition“, “nice light” “lovely tones“, “what a crock of old crap“… um, no wait a minute.
So, I made the decision. There really is no point in me keeping any of the colour camera films that I have. They are sitting there in the freezer, gradually going past their expiration date and I’m just never going to use them.
Comparing black and white film scans made on a high end vs a desktop film scanner. Flextight 949 versus Plustek 8100.
It’s interesting how mobile phone photography has become increasingly popular, even amongst artists. I often read that street photographers, especially, using iPhones for their projects.
One of the great things about an all digital creative workflow, is that – due to all that binary malarkey – once an image has been captured, there is little reason for that image to degrade in any way. But with an analogue workflow, there are a few extra stages to go through. Each of […]
