Scanning, post production, grain and who knows what…?
Are differences between 35m camera film, more to do with how well they scan, than other factors?
Are differences between 35m camera film, more to do with how well they scan, than other factors?
Fantastic time at White Night Melbourne. Nice also to see one of my images featured somewhere in amongst the thousands of other activities. Roll on the 2015 event.
Comparing black and white film scans made on a high end vs a desktop film scanner. Flextight 949 versus Plustek 8100.
It’s interesting how mobile phone photography has become increasingly popular, even amongst artists. I often read that street photographers, especially, using iPhones for their projects.
One of the great things about an all digital creative workflow, is that – due to all that binary malarkey – once an image has been captured, there is little reason for that image to degrade in any way. But with an analogue workflow, there are a few extra stages to go through. Each of […]
I’ve been messing about with film cameras again for about a year or so. The first time for about 15 years. I had embraced digital photography as soon as I could afford a decent dSLR and, with my results-driven design hat on, the final output ‘quality’ had always been my primary goal.
So what’s going on here? I laid out some old lead typefaces and photographed them with a 24mp mirrorless digital camera. But I used a Voigtlander lens. Voigtlander being one of the oldest names in cameras, founded in Vienna. But, of course, the Voigtlander name is now used by Cosina who manufacture modern film cameras […]