It’s interesting how mobile phone photography has become increasingly popular, even amongst artists. I often read that street photographers, especially, using iPhones for their projects.
Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? Why? […]
Some ramblings about truth, authenticity, originality and reality in photography
One of the great things about an all digital creative workflow, is that – due to all that binary malarkey – once an image has been captured, there is little reason for that image to degrade in any way. But with an analogue workflow, there are a few extra stages to go through. Each of […]
It’s hardly a new discussion, but it seems that the language used on descriptions alongside works of gallery art is in the news again.
I’ve been messing about with film cameras again for about a year or so. The first time for about 15 years. I had embraced digital photography as soon as I could afford a decent dSLR and, with my results-driven design hat on, the final output ‘quality’ had always been my primary goal.
Apparently a ‘panel’ has “exploded the myth that art and advertising are worlds apart“. Righty ho, that’s that then.
